i am the sun, 2023
(I love everyone)
Star Milk, 2022
Index.Layer[Star_Milk]
- Time.Velocity[x=light, y=soft]
- Glow={0.8}; PinkCore=[FFCCDD]
- Viscosity ∝ Gloss(x,y): CosmicDrift(∞)
- MilkRatio=[32% pink, 68% starlight]
AxisDepth: Layer(12+) ≈ ReflectionDensity.
Equation: Pink ≠ Innocence; Brightness reveals layered truths folded in infinite forms.
Key:: Memory-seeds scatter across shimmering corridors; milk of stars, all things blend in motion.
please, 2022
Colors become breaths, breaths dissolve into light. The frame is a vessel, its current unreadable but infinite.
Dumb flesh, 2017-2022
Look closely, and you’ll find that this painting holds colors that feel ancient and corrupted, as if clawed from the depths of some forgotten history. Each layer, cracked and mottled, seeps with the memory of violence, of a hand that sought to tear open the surface and find whatever lies beneath.
These tones—rich, decayed, and almost bruised—aren’t merely pigments; they’re a kind of ghostly residue, fragments of something that once lived and was left to rot. The colors seem to writhe against each other, coiling in and out of a strange, secretive harmony, as if they themselves were caught between life and decay. It’s an uneasy, alchemical thing, haunted and haunting, whispering of wounds and rites lost to time. To look at it is to be drawn into a silence that knows the language of both flesh and ruin, daring you to wonder what was buried here, and what still lingers.
abyss, 2022
A small, black rectangle looms with a darkness that feels almost primordial. In its simplicity, it speaks of an unfathomable void, as if it were a sliver of the endless night, cold and infinite. The bumps in its surface rise like the remnants of some ancient horror, fossilized within this swathe of blackness. Here, gloss is no longer a reflection but a gleam from hell itself—a cruel, indifferent glint, staring back at us from a place where humanity has no foothold, and time dissolves into a relentless, empty abyss.
hidden figures, 2020
"Hidden Figures" is a painting born of transformation—a vivid clash between two worlds. In the shadows, characters that once guided the artist’s hand now lurk, neither erased nor embraced, lingering like a pact with the devil, tethering the old and the new. The work speaks to the alchemy of self-discovery, where color becomes a language of its own. In this suspended dialogue, what was playful evolves into the profound, merging past and present in a quiet yet poweful tension.
I Loved you this much, 2018
Born from the meditative process of creation, "I Loved You This Much" carries an emotional resonance that transcends its visual complexity. The title, borrowed from a song playing during the final moments of its completion, infuses the piece with a sense of intimacy and serendipity. It feels like a love letter, not to someone, but to the painting itself—a celebration of the artist's relationship with their work, where intention and accident meet in harmony.
lunacy, 2018
A place between thoughts, a gathering of colors in secret conversation, points so close together they hum with tension. There’s no shape here, no form, just pure color, alive and dense, layered like memories you can’t quite untangle. It’s like stepping into a daydream that’s all light and pulse, where reality softens and everything feels at once chaotic and serene. You feel an undertow, a pull into a world that resists structure, where color breathes on its own, escaping into something endless and unknown.
EXit from the room of cadmium, 2017
This work captures a pivotal moment of transformation, both in art and life. "Exit from the Room of Cadmium" symbolizes the intense and often overwhelming nature of transitions, where one is faced with the decision to embrace or release the elements that have shaped them. Cadmium, a pigment known for its vivid color but also its toxicity, serves as a metaphor for those vibrant yet potentially harmful influences we encounter—whether in our creative process or our relationships.
In this piece, the red foreground embodies the intensity of the emotions and experiences that define such periods. The contrasting central square, layered with texture, represents the path of change, a journey from one state of being to another. It speaks to the idea of shedding the old, toxic layers and stepping into a new, healthier space—both creatively and personally.